Monday, March 19, 2012

The Reality Wars

My latest novel, The Reality Wars, was released a couple of weeks ago complete with lurid cover in the tradition of Kilgore Trout. Here's a little about the book:






Cassie Mae Hayes is the idol of the universe. For a thousand years, she’s been triumphant in the Reality Wars, a deadly series of online games played every 100 years and broadcast throughout the galaxies. But Cassie, a sentient software program, is tormented by the death of her virtual mother after her human father abandoned them 2000 years earlier. Now, he’s back…just in time to abandon her again as he goes off to save the universe with the help of a computer virus that thinks it’s Buddha.



The Reality Wars is set in a universe devoid of intelligent life other than humans, clones and sentient software. Life spans extend into thousands of years, but after the mysteries of Creation have been explored, mapped and explained away, boredom and death-wish define human nature. Genetically connected to an internet based on the vibrations that compose the stuff of existence, humans share online life equally with virtual reality people.



The Reality Wars will not just pit human against software, but throw four extraordinary women into a life-or-death contest that turns deadlier than ever from a new twist… it’s run in both the virtual and real worlds against the backdrop of an inter-galactic war that will change the very nature of the universe.



The Reality Wars is now available at Amazon (Kindle Reader), Chapters/Indigo (Kobo Reader), Barnes & Noble (Nook Reader), Powell’s (Android, iPad, iPhone, iPod Touch), Reader Store (Sony Reader) and others.

Thursday, January 5, 2012

Get Published in 2012



Getting published could be the hardest thing you’ll ever do—or the easiest. Get Published in 2012 prepares you to search for publishers or agents the right way, without wasting time. You’ll learn how to identify and contact the right publishers for your work (fiction or non-fiction); how to prepare a publishing toolkit, including a publisher tracking sheet, long and short synopses, query and covering letters, author bio and publication history (even if you don’t already have anything published). You’ll learn how to prepare a marketing plan for those publishers who demand them in the submission process. You’ll also learn how to receive free critiques of your work, how to deal with rejection and how to avoid scams. We’ll look at traditional forms of publishing, self-publishing and electronic publishing.



Everyone will also receive a free copy of eMarketing Tools for Writers, 3rd Edition.



Instructor: Biff Mitchell

Date: Saturday, January14

Time: 10 AM till 4:30 PM (with a one hour break at noon)

Place: Studio4Ward, 384 Queen Street (across from City Hall)

Workshop Fee: $60

To enroll or learn more, call 455-BIFF (2433) or email biff@biffmitchell.com.

Thursday, November 17, 2011

Jo Griffith reading, Odd Sundays at Molly's

Our very own Jo Griffith will be giving a reading this Sunday at 2 PM at Odd Sundays at Molly's (Molly's Coffee House, 554 Queen Street, across from the Off Square park). Let's go there and support her. There will be an Open Mic after the reading, so bring something to read, or sing.

Tuesday, August 23, 2011

Robbie in Fredericton

BTMG member Robbie Burns to be back in the Fredericton limelight in a little o're twa weeks.

What's the BTMG to to do now to celebrate Robbie restored to 'is place on The Green beside the Saint John River?

Join the parade? A pre-emptive reading raid? A post-parade reading? O, what shall we do for and with Robbie?

Three cheers for Robbie!
Vivat!
Vivat!
Vivat!

Saturday, July 30, 2011

BTMG Pride

Yes, folks, the BlackTop MotorCycle Gang has pride and is proud to show it, to show and lend support to Fredericton Pride.

Today, we'll "reading raid" the Alt ♥ Art Market in the Charlotte Street Arts Centre Auditorium, 732 Charlotte St, Fredericton, NB.

Come buy art, crafts & books. Vendors will be donating a percentage of their sales to Fredericton Pride. Admission to this fundraising event is by donation. Be there and don't be square, be queer. Artmaking and writing are queer activity, outside heteronormative assumptions and other numbing, normalizing norms. "Reading raids" are outside the norm, too. Come support and show your Fredericton Pride!

Sunday, May 15, 2011

rumblings ...

two BlackToppers in Sussex, NB
Friday night, 13 May 2011
Beth Powning and Joe Blades
@ the Artist Co-op Tea Room
Maple Street @ the train crossing
fire station nextdoor

Wednesday, April 13, 2011

Boston Jonson in Murder by Coffee

When a nasty little plague of people turning into stone in coffee shops around the city threatens the bottom line of the Coffee Cartels and their highly addictive designer coffees, investigative consultant, Boston Jonson, is tossed into a world where everyone is out to either admire him or kill him, a world of annoying weirdoes who are probably better off turned into stone.



Excerpt:
It was a bustling place, crowded by late-night coffee swillers with throats like pipelines running high octane caffeine, but somehow they found a way to talk through the flow of java and they were all talking at the same time, drowning out the re-mixed jazz tunes from musicians who were mostly dried bones, which was mostly a good thing since they couldn’t hear what the late 21st Century had done to their music. He guessed that most of the crowd were college students, meeting here with their holotops to work in groups on assignments from professors they’d never met in real life, eProfs who appeared as talking heads on their students’ computers. The rest of the crowd looked like artists, writers and musicians who thought the digitally squeezed music actually said something. And then there were the coffee shop spooks, the ones who sat night after night guzzling into the wee hours because that’s what they did. A few of them read books-print books, with paper pages.

Boston Jonson was looking at one of them now. She was a heavy woman, at least two hundred pounds, bent forward on a coffee high, book in one hand, the other grasping a porcelain cup between a massive thumb and index finger. She had that look of intensity that comes from reading too much, living in a world constructed by everybody but herself. And a connoisseur obviously-the print book in her plump hand was a hard bound with a glossy cover. They were rare. Most people used ereaders and holotops for interactive reading. She had a withdrawn intellectual aura, ragged clothing, and brush-lonely hair. Her skin was white. Pure white. White face. White neck. White hands. White enough to be dead. Not surprising though.

She was dead.

She’d turned into stone, white stone. Her hair, eyelashes and nails seemed normal. He ran is fingers over her forehead-smooth stone. He knocked lightly on her forehead-hard white stone. People strolled by on the other side of the floor-to-ceiling windows peering curiously at the guy with the shoulder length tangerine hair and Hawaiian hula hula shirt knocking on the overly white woman’s head.

"She was a regular," said the short good-looking woman standing beside him. "She was here every night." Her name was Julie-not the stiff, the good-looking woman. She was the owner of the Tenth Cup. Brunette hair flowed over her shoulders, stopping just short of some interesting cleavage. She noticed Boston noticing the cleavage and smiled. "Her name was Brandy. She was a librarian."

Librarian, thought Boston. That would explain the print book.

"She didn’t speak much, just drank coffee and read a different book every day." She put a sympathetic hand on Brandy’s shoulder. "We found her like this an hour ago. One of the coffee consultants noticed that she wasn’t turning pages." Julie gave her a wistful look. "She read quickly. She did a lot of page-turning."

"But not anymore, I guess," said Boston with what he hoped was the appropriate amount of inflected regret. He was sure that Brandy had been a good person, coffee addiction, print books, tattered clothing and all. "Did she have any enemies?"

A spark of suspicion ignited for an instant in Julie’s brown eyes and Boston felt her mood chill a degree or two. He had that effect on people. "Just a standard question. I have to ask it."

The chill ducked into a warm place, the smile was back full-faced. "Of course. It’s just, you know, strange... finding a regular customer suddenly turned to stone for no obvious reason. Do you think it was deliberate?"

"I’ve never heard of anyone turning to stone before. It’s too early to even make a guess."

Julie looked at Brandy sadly. "We’re going to miss her around here."

Two women sitting at the table directly behind Brandy’s seemed to be frowning pointedly in Brandy’s direction. Was that animosity in their eyes? "Did you ever notice anyone giving her a hard time, any arguments?"

She pursed her lips, squinted her eyes, trying to remember. "No... no. She was a loner. Kept to herself. When she was here, she drank coffee and read books. She never actually talked to anybody except the coffee consultants and me. I can’t think of anyone doing something like this on purpose." She ran her hand across Brandy’s cheek. "I can’t imagine anyone doing this, period." She looked over at the counter where a dozen people had materialized out of nowhere. She turned back to Boston, put a hand on his arm, smiling, big brown eyes professional but playful. "I really should get back with the girls. This is one of our busy periods."

Boston smiled and nodded and scoped out her ass as she walked back to the counter. Nice sway.

A silver ID bracelet dangled on Brandy’s wrist. He took out his wallet, opened it and tapped it against the bracelet. The screen in his wallet brought up her picture and ID. Brandy Williams. Born April 7, 2034. Occupation: Librarian. That was all. No address. No phone. No email. He snapped a picture of her with his wallet and looked around. No one seemed to be watching him.

It was time. The vibrations surrounding Brandy had a story to tell. That was their way. Everything was vibrations and when vibrations came into contact with each other, they left an indelible impression, a story that could be read of past events if you just opened yourself to their tale. He closed his eyes and relaxed his shoulders. He let his awareness sink slowly into his tan dien, the center of his psychic gravity. He slowed his breathing, letting the air glide through his nostrils and into his lungs, visualizing the energy of the universe flowing in through his head, down through his chest and deep into his stomach. He let the air drift up into his throat and seep out of his mouth as the energy of the earth flowed up his legs and into his stomach. After three breaths, he was in the zone, charged with energy and relaxed. He listened with his inner ear, waiting for the vibrations to speak to him about Brandy.

As usual, the vibrations said nothing. Somebody else did the talking.

"She was a pain in the ass." Surfacing back into the world, Boston focused his eyes on a woman with blond-streaked brunette hair with bouncy curls cascading down to her shoulders. Wide, dark-rimmed glasses gave her an air of smart and sharp. She was a knockout. "She was disruptive," she said with a sonorous voice that might carry to the ends of a large room without jarring a single eardrum. "She got into her books and forgot where she was, reading out loud half the time, and I mean out loud."

"Sometimes she’d yell," said the woman sitting across from her, another beauty with pitch black hair and matching eyes and skin lustrously pale, like something caressed by the moon. "I mean, she’d be reading, lip-mouthing with a low rumble, and then she’d suddenly yell ’NO! YOU DAMN FOOL!’ She made me pour half a cup of coffee into my lap one night."

Availble at: Double Dragon Publishing

Sunday, February 20, 2011

BTMG raids Canadian Review of Literature in Performance

“Introducing the BlackTop MotorCycle Gang” is an article in the first issue of Canadian Review of Literature in Performance is a new web publication out of Montreal.

The launch on Friday night featured an incredible lineup:

LITLIVE Launch Party at Sala Friday

On Friday February 18th join the party as the whole spoken word community comes together for LITLIVE.CA, the first web magazine to document and review the spoken word scene across this country.

The show features music, poetry and vibe from the KalmUnity Vibe Collective (with Katalyst, Fabrice, Deanna Smith and Blackbird)
It’s the fabulous Alexis O’Hara flying in from Europe to perform
It’s Catherine Kidd, Fortner Anderson and the national launch of poetry/trance band Pharmakon MTL’s latest CD To Call Out in the Night

It’s Luna Allison, Kaie Kellough and Throw Collective’s Alessandra Naccarato

Your host and MC for the night is the editor of LITLIVE, poet and CKUT show host
Mr. Vince Tinguely.

It all takes place at the Sala Rossa, 4848 St-Laurent, Montréal
Friday, February 18th
Doors open 8PM; show starts 9PM
$5 (or pay what you can)

LITLIVE.CA is the website for the Canadian Review of Literature in Performance. The magazine features profiles of spoken word artists, interviews, scene reports from across the country, as well as reviews of CDs, DVDs and web-based performance lit projects. LITLIVE.CA is open to your comments.

The launch of LITLIVE.CA is sponsored by the Canada Council for the Arts and CKUT 90.3FM. It is produced by Wired on Words Productions.

Friday, December 17, 2010

New Member: Robert Burns

Last night, the late, great, poet Robert Burns was voted into the BlackTop MotorCycle Gang. He's been getting into the holiday spirit. BTMG has performed and shared more of his poetry than the writings of some other members of the BTMG. Rabbie Burns has a place in the BlackTop MotorCycle Gang. His day of celebration is coming up next month: 25 January.

Days later the BTMG and Emerge Artist Collective rumble into Saint John for the opening of our re:myth exhibit in the City of Saint John Gallery @ 20 Hazen Avenue on Friday, 28 January.

Sunday, November 14, 2010

And more secrets...shhh!

“BlackTop MotorCycle Gang: By far the hipp(i)est gang in town, BlackTop consists of more than 30 local writers who stage random, often unannounced, poetry and prose readings throughout Freddy. Admission to the clan is highly exclusive and granted only upon being dubbed weird enough by two current members. www.btmgang.blogspot.com.”
Thursday, October 14th, 2010, HERE NB

Friday, November 12, 2010

art exhibit opening Friday, 12 Nov

BLackTop member Rita Sassani has an art exhibit opening at 5 pm, Friday, 12 November 2010 in the Charlotte Glencross Gallery, Charlott Street Art Center, 732 Charlotte Street, Fredericton.

Friday, August 27, 2010

Wednesday, August 18, 2010

Artists and Writers Make New Myths Together

August 15, 2010
FOR IMMEDIATE RELEASE

What happens when a group of artists joins forces with a group of writers to figure out what myths define life in the 21st Century? The answer is coming this September, when re:myth will be on display for three weeks at Gallery ConneXion.

It started with an idea from Amanda Saulnier, artist and spokesperson for Fredericton’s Emerge Artists Collective. “The idea came to me in an Emerge brainstorming session,” said Ms. Saulnier. “We’ve never collaborated outside of our group and I thought we needed to branch out. Fredericton has a thriving artistic community, but rarely do we work together to create something like this multidisciplinary exhibition.”

Amanda, contacted Fredericton’s notorious writers’ collective, the BlackTop MotorCycle Gang (BTMG), and the fun began. Thirteen members of the BTMG wrote 16 pieces on what they felt were the new mythologies of the 21st Century, from consumer branding gods to re-enlightened Buddhas. The writers ranged from aspiring amateurs to locally and internationally acclaimed writers like Beth Powning. The pieces ranged from traditional poetry to experimental fiction and even a story told in Twitter tweets.

“I was amazed and instantly enthused when I first heard the idea in January of this year,” said Joe Blades. “I immediately wrote to my fellow poetic hog riders and tarmac bums in the BTMG to get their responses.

“We were told to write whatever we wanted, in whatever style we wanted,” said BTMG member Biff Mitchell. “Some members wrote more than one piece … and still wanted to write more.”

A similar thing happened with the Emerge artists. “The response was overwhelming,” said Amanda. “Some of the artists were asking for more pieces from the writers.”

Emerge artist, Joss Richer said, “I was rather excited when I heard that my group of artists, Emerge, would be collaborating with members of the Black Top Motorcycle Gang—a group of writers I am quite fond of. I was assigned two writings to respond to. To this day, I do not know the author of each submission. I could have found out already, but decided that I would wait as long as possible before satisfying my curiosity. Above all, I wanted my response to be based on the writings alone, and not on my knowledge of the personality of the authors.”

During a BTMG reading last winter at Gallery ConneXion, one of the writers announced the project and mentioned they were looking for a gallery to exhibit the show. Meredith Snider, curator of the gallery immediately called out, “Have your show here!”

“This collaboration between the BlackTop MotorCycle Gang and Emerge is a wonderful example of exchange and dialogue between artists,” said Ms. Snider. “I’m really looking forward to seeing this exhibition and encourage others to come out to the opening reception to see the work and speak with the artists.”

BTMG member Andrea Kikuchi, after struggling for months with writer’s block, was inspired by the project. “I was immediately excited and felt the inspiration I haven't felt in months flow back. I decided to finish the story and submit it, anxious to see how the artists will interpret it,” said Ms Kikuchi. “I am so grateful to be a part of this original concept. It promotes a new wave of creativity that bridges all forms of art and continues to inspire us all.”

“I look forward to seeing all the work and the artists in the same space,” said Ms. Saulnier. “It will be interesting to see how the writers respond to the visual work. This truly is the beginning of a dialogue that I hope will continue in the future.

The re:myth exhibition will open on September 2 at 7:00 PM in Gallery ConneXion’s 1922 Gallery, 440 York Street (in the Chestnut Complex), Fredericton, NB. There will be opening remarks and readings from members of the BlackTop MotorCycle Gang.


—30—

Contacts:

Amanda Saulnier
Email: chocolattelos@gmail.com

Joe Blades
Phone: 506.454.5127
Email: joeblades@nb.aibn.com

Biff Mitchell
Phone: 506.455.2433
Email: biff@biffmitchell.com

BACKGROUND

Emerge Artists Collective
Our aim is to increase the exposure of emerging artists and craftspeople. Through shared knowledge and experience, we develop an awareness of the exhibition process and its intricacies. We strive to ease the transition between the creation of the work of art and its exhibition to the art community and the public. Our collective counts a dozen members. Our work is eclectic, sometimes edgy; our focus is on non-traditional approaches to art. Our work includes drawing, painting, sculpture, metal and clay work, collage and assemblage, fabric, photography, video and music, and more. Since its inception in 2004, Emerge has held thirteen exhibitions in various locales around New Brunswick.

BlackTop MotorCycle Gang
BlackTop MotorCycle Gang is a collective of eclectic writers who stage spontaneous “reading raids” in various locations and are frequently invited to appear at special events of a literary nature. There are currently 39 members spread from coast to coast. Membership is open only those considered weird enough by any two current members.

Gallery ConneXion
Gallery ConneXion is Fredericton’s only artist-run center, located in the capital city of New Brunswick, Canada. From its inception in 1984, Gallery ConneXion has supported politically and socially engaged art through a range of programming initiatives such as exhibitions, performances, special projects, and workshops. Gallery ConneXion promotes contemporary Canadian and international artists, emerging and established, from diverse cultural backgrounds. The gallery programs exhibitions, artist residencies, fundraising events, music shows, video screenings, performances, readings, membership exhibitions and activities. Gallery ConneXion is a not-for-profit organization with charitable status. It receives operating funds from the Canada Council for the Arts and the Province of New Brunswick. Gallery ConneXxion currently has over 50 members from Fredericton and the surrounding region, most of whom are practicing artists.

In a statement from Meredith Snider: “The board, staff and membership of Gallery ConneXion are grateful to the following companies and people for donating their labour and time to renovate the second gallery space this July 2010; Fabinex (carpentry work), Hector Tovar (crack filling), members of the Fredericton Pride Committee (painting). Your contribution to Fredericton's artist-run center is sincerely appreciated.”Gallery Coordinator, Meredith Snider: 506 454-1433, connex@nbnet.nb.ca www.galleryconnexion.ca

Sunday, April 4, 2010

Jumpin' Džo on tour in Central Europe

Joe Blades's Spring 2010 Central European speaking tour

8–10 April, Thur-Sat: a Keynote speaker, with poetry reading, @ the 4th Unconventional Conference of Young Canadianists, North University of Baia Mare, Romania

12 April, Tuesday, 5 pm: poetry reading at Országos Idegennyelvu Könyvtár/National Library of Foreign Literature in Budapest, Hungary

23–24 April: talk and poetry reading @ University of Kragujevac, Srbjia

29-30 April, possibly at Universitet u Istocnom Sarajevu, Pale, Republika Srpska

1–7 May: talk, poetry reading & more @ the Canada Corner at the Filozofski fakultet, University of Banja Luka, Republika Srpska, Bosnia i Herzegovina

11–16 May: poetry readings, including in the National Canadian Poetry feature, of the International Literature Manifestation—Sarajevo Poetry Days/Sarajevski dani poezije, festival, Association of Writers Bosnia and Herzegovina

Saturday, March 20, 2010

Fredericton Small Press Fair 20 March 2010

Welcome to Spring!!!

Fredericton Small Press Fair including “Neustro Espacio” display
20 March 2010
Doors open at 12 noon!

In association with World Poetry Day (21 March) and the 10th International Multicultural-Multilingual Poetry Reading and Poster Poem Exhibition, organized and founded by Nela Rio.

Sponsors include Ashes, Paper & Beans: Fredericton’s Writing & Art Show, Broken Jaw Press, Capítulo de Fredericton de la Academia Iberoamericana de Poesía, and revue ellipse mag . . .

• Exhibitors • Readings • Workshop(s) •
BlackTop MotorCycle Gang
Broken Jaw Press
Gallery ConneXion
Goose Lane Editions
Alice Guergis
NaNoWriMo Fredericton
Phoebe Tsang, poet
Qwerty magazine
Random Paper & Fabric
revue ellipse mag
Translation Live! workshop:
Translating Sound into Poetry
and more …

5–8 pm, The 10th International Multicultural–Multilingual Poetry Reading & Poster Poem Exhibition
(86 poetas de 23 países)
In conjunction with the United Nation’s Dialogue Among Civilizations Through
Poetry, Mother Language Day & World Poetry Day
Nela Rio, Founder and Organizer

Location: Gallery ConneXion, 440 York St, Fredericton, NB.

Open Mic and scheduled readings may be recorded for broadcast on Ashes, Paper & Beans: Fredericton’s Writing & Art Show on CHSR 97.9 FM.

Exhibitor fees (including HST): tables $10 (full tables only). Payable to: BS Poetry Society, Box 596 Stn A, Fredericton NB E3B 5A6. Doors open @ 11 AM for exhibitor setup. Contact (506) 454-5127, joeblades@nb.aibn.com to reserve tables and readings.

Sunday, January 17, 2010


Cogratulations!

Peter Powning has posted two segments of Beth Powning reading from The Sea Captain's Wife (Random House) to 500 enthusiasts in Sussex, NB this past Friday evening, this is the second.

http://www.youtube.com/watch?v=q9l2MF3Cr1Y

Rigging courtesy Kings Landing Historical Settlement.

Saturday, April 4, 2009

BlackTop MotorCycle Gang raids Nonymous

Nonymous, issue TwoAs the rumble faded away in the distance, in the direction of the nearest watering hole, a dazed, small man, with black powder smeared on his face, pulled himself upright out of a mess of crumpled boxes, strewn paper, and overturned furniture than had been his office. He swayed on his feet and with sandbagged eyes surveyed the damage and sighed.

He knew they'd come back for him. They'd make him do horrible things: drink in public; make a fool of himself; make he read aloud words that would curl the petals of flowers and make loved ones howl and scream in the night. There would be another BlackTop MotorCycle Gang night of mayhem on the spring rain-soaked streets of Freddy Beach.

He heaved his desk upright and found a not too broken but decidedly wobbly chair in which to sit. He hears sounds, a whirring and phut phut phut repeating over and over. He smiled. It wasn't from outside the office window with a cardboard panel from a wine box taped over a hold punched there during the last raid. No, the sound came through the wall from an inner room. Micha picked his way across the ruined office, careful to avoid daggers of shattered mirror on the floor outside the kitchenette and now doorless toilet.

The door had been ripped of its hinges and kicked to pieces, panels of wood flying, in front of him. The bald badass reaking of beer and candied cigarillos that had held him tight almost whispered as he'd said, "We'll do to that to you, if you don't cooperate." Micha had nodded his head and gulped out, "Okay. Sure. Whatever you say."

Now Micha took the lid off the toilet tank, reached a hand in and pulled out a key. In the hallway opposite the toilet was a half height steel door with curled decals warning DO NOT ENTER in bold letters above the lightning bolt and HIGH VOLTAGE below. Opening the door, he stooped and squat-walked two steps in then stood up.

It was a small, windowless room with a fan in the outside wall above a bank of grey equipment with flickering green and red LED lights. The right end was busily moving up and down like it was doing something. Micha reached over, pulled out a stack of paper. The top sheet read Nonymous Three. He'd done it. He gotten it on paper while they were destroying his office, his life.

He'd be ready, when they returned. Better than WANTED posters at the police station and post office, he'd captured a likeness of the BlackTop MotorCycle Gang in words and pictures. They were loud and rude, sweet and perverse, poets and not-poets, their fukted-up and alive, singin' and spinnin', peelin' rubber and leaving tread all over the place. Tonight they'll be hoggin' the talking stick, raidin' the microphone. They'll be in your face and between your ears . . .

BE THERE OR WEEP:
7 pm, Saturday, 4 April 2009
Wilser's Room

in the Capitol Complex
off Pipers' Lane & Queen St
opposite The Tannery & King St
Fredericton, New Brunswick

Bring money, watches, wallets, piggybanks, your stash,
if you want to give a Nonymous Three a good home
out of the clutches of the BlackTop MotorCycle Gang.

shirt: boothill saloon
loc: broken desk
temp: 8 C
sound: prong "rude awakening"

Tuesday, February 10, 2009

Nonymous on APB (CHSR)

Micha of Nonymous mag here in Fredechicken, NB, will be my live guest in the first half of tonight's Ashes, Paper & Beans show, 7–8 pm, on CHSR 97.9 FM (& on the web). Catch us if you can . . .

—Broken Joe